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Remembering Terezín Through Music
Toperczerová, Eliška ; Jurková, Zuzana (advisor) ; Seidlová, Veronika (referee)
Summary: This thesis focuses on a theme of musical remembrance of Terezín. It is an empirical, ethnomusicological field research. At its centre is František Tichý, headmaster of the Gymnázium Přírodní škola. I focuse on an analysis of his pedagogical, literary and dramatic activities, which I examine in the context of musical remembrance of Terezín. The aim of this research is to describe, analyze and to interpret by means of participating observation and semi-structured interviews: 1) How does the negotiation and production of performances take place, where František Tichý acts as a playwrighter, dramatist, director and musical dramatist in cooperation with his colleagues and pupils? 2) How does Frantisek Tichý contextualize and use music in the school projects of Gymnázium Přírodní škola? 3) How do these projects affect the construction of ideas about Terezín's history? Is there an alternative narrative generated by the use of artworks by Terezín authors, in which (above all) music becomes a means of remembering? In this research, I primarily follow the ethnomusicologist Zuzana Jurková, who focuses on remembrance as part of her research at the Faculty of Humanities. Key words: Ethnomusicology, Přírodní škola, František Tichý, remembrance, Terezín
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Soundscape of Prague Psychedelic Guitar Rock Scene
Poděbradský, Oldřich ; Jurková, Zuzana (advisor) ; Stavělová, Daniela (referee) ; Kratochvíl, Matěj (referee)
Since its beginnings in the 1960s, psychedelic rock music and "psychedelic sound" sound has become an integral part of rock and Western popular music. This scope of this PhD thesis covers the performance of psychedelic rock music in Prague, Czech Republic, i.e. Prague's psychedelic soundscape (Shelemay 2006). The structure of the thesis is loosely inspired by the scapes concepts as defined by Arjun Appadurai (1996). First, it summarizes the development of the "psychedelic sound" and employs ethnographic research in order to elucidate what this sound means to its agents within the studied soundscape. Subsequently, it proceeds to discover who the agents of this scene are, how the roles of the performers and the audience blend together, how the agents understand their music within the multi-genre context of the scene, and what the phenomenon of psychedelic rock music means to the agents - both in terms of its sonic elements and the "ritual" (Turner 1969) aspect of live performances, often associated with the use of mind-altering substances. The aim of the thesis is to describe the psychedelic soundscape of Prague as a large organic network based on reciprocal friendship and support, rather than as a mere set of music groups that refer to themselves or are referred to as psychedelic. Key words:...
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Musical aspects of the Living History phenomenon in the Czech historical fencing through the perspective of ethnomusicology
Novák, Josef ; Jurková, Zuzana (advisor) ; Seidlová, Veronika (referee)
The aim of this musical anthropology thesis focuses on "medieval music" as practiced by fans of historical fencing in the form of living history on the example of two Czech bands - Subulcus and Medieval Open Band as part of project Prácheňská manství. In my thesis I focus not only on sound and musical instruments, but also on the behavior of actors and their conceptualization of the Middle Ages, according to the concepts of music as culture of Allan Merriam, resp. of music as social life of Thomas Turino. I combine here the basic ideas of ethnomusicology with the ideas of musical memory in connection with the contemporary concepts of social memory and, last but not least, with the concepts of "golden age", nostalgia, staged authenticity and invented traditions. The point of this work is to bring about the origin and form of music that the actors understand as medieval, although not always comes the repertoire from the Middle Ages.
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SLOVAKIAN PROBE. Negotiation of local identity of alternative bands in Moravian Slovácko.
Svobodová, Veronika ; Jurková, Zuzana (advisor) ; Seidlová, Veronika (referee)
The goal of this musical anthropology qualitative research, mainly based on the field work, is to describe, analyze and interpret the process of construction of local identity of an alternative bands in Moravian Slovácko. The subject of this research are mainly two music bands from Slovácko - PSCrew and 12:PIET. PSCrew band represents hip-hop style and 12:PIET ranks among punk style bands. The musical production of these bands is defined (using an emic term) as an alternative folklore. With a use of theoretical concepts of stereotype and partially also retro and revival, I tried to demonstrate how these alternative musicians with an emphasis to their authenticity by the means of their musical spheres (so called soundscapes) pursue their notion of what is considered to be related to Slovácko and how the negotiation of their local identity is involved. For that the locally defined stereotypes are often used. These are typically recontextualized by its adaptation into the form that reflects the postmodern period.
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